Artists
Ivanna Ternay
- Maesta 18K
Biography
Ivanna Ternay was born in 1983 in Kiev / Ukraine. She studied Irmela Bossler and Cornelia Grohmann at "Hochschule fur Musik und Theater" Leipzig. After she studied with Davide Formisano at Musikhochschule Stuttgart where she graduated in 2008 "Cum Laude". Till 2010 she studies with Professor Formisano in Stuttgart.
During her study she attempted master classes with Jean-Claude Gérard, James Galway, Jeanne Baxtresser, Maxence Larrieu, Andrea Lieberknecht, Renate Greiss-Armin, Gaby Pas van Riet, Dieter Flury, Carol Wincenc, Henrik Wiese und Carine Levine.
She has played in several orchestras, like Staatliches Kammerorchester Kiev, Kammerphilharmonie "Felix M." Leipzig, Bruckner Sinfonie Orchester Stuttgart Stadttheater Pforzheim and Stuttgarter Kammerorchester.
Ivanna is prize winner of several National and International competitions like International Flute Competition in Haifa / Israel, International Flute Competition Moscow, International Louis Price Competition Leipzig, Flute Competition Kiev and Chamber Musik Competition Leipzig.
2006-2009, she was a member of "Villa Musika" where she played with Jean-Claude Gerard, Dag Jensen and Ingo Goritsky. She received also scholarships from DAAD and "Alfred Toepfer StiftundStiftung"
Since 2011, Ivanna is flutist at the BR orchestra in Münich.
Maesta 18K
Four outstanding handmade headjoints are available: Forte, Vivo, Calore and Vivace.
These elegant and perfect handmade engravings are possible on the keys and lip-plate.
The 18K Maesta flute is optionally available with gold plating. This brings a warm and dark element in the sound.
The tone holes are available either drawn or soldered.
Pointed arms both increase the stability and enhance the quality of the mechanism.
The 18K Maesta flute has an optional split E-mechanism that allows for secure attacks and smooth slurs to the third octave E.
Available with E-mechanism lever.
All models are available with in-line or off-set G key.
The C# trill key makes many trill fingerings easier and lets the high G#3 speak better. It also improves the intonation of both C#2 and C#3.
The One-Piece Core-Bar construction results in more playing comfort and less wear of the mechanism.
The G/A trill key makes the G3/A3 trill speak better (not possible in combination with the C# trill key).
The Pinless Mechanism ensures the stable connection of the mechanism and prevents it from corrosion.
The ergonomic D# roller simplifies movement of the right hand little finger.
Optionally available with C-foot or B-foot.
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